The Man Who Could See Music
Dr. Arthur Lintgen, a physician from Pennsylvania, is a man who claims a seemingly extraordinary, if somewhat less than useful, talent. He doesn’t read minds, tell the future, or talk to the dead, but can he can tell you what songs are on a vinyl record just by staring at it, and no, he doesn’t need the label. Lintgen claims he only became aware of his strange ability when challenged at a party in the 70′s, and found, to his surprise, that he could correctly identify records just by looking at the grooves.
“Friends of mine with more scientific and musical knowledge than I have tried it unsuccessfully,” he once told the New York Times. “I don’t know how I do it. I have terrible eyesight.”
In 1982, the ABC television series That’s Incredible decided to put Dr. Lintgen to the test in front of an audience, and to the astonishment of Stimson Carrow, then the professor of music theory at Temple University, Arthur was able to not only correctly identify 20 different unlabeled records, but was able to identify their pieces and composers.. all from about 15 feet away. The audience was astonished.
That kind of stunt might have been enough to impress viewers at home, but there were still many who remained skeptical of the man who could see records. Extraordinary claims require extraordinary evidence, not pre-taped television episodes. After all, it’s not like TV has the greatest track record of honesty.
James Randi first became aware of the claims made by Dr. Arthur Lintgen a year after his appearance on That’s Incredible, when he was approached by Time magazine to conduct a more scientific test of his astonishing ability. Though highly skeptical, Randi agreed to head the controlled investigation and even agreed to a few stipulations set forth by Arthur: the music to be identified had to be post-Beethoven classical recordings. Lingten also admitted that he could not identify unpopular contemporary classical compositions or spoken word.
So in 1982, Randi gathered his own collection of recordings, including one spoken word recording and one duplicate recording for use as controls, covered both the label and the matrix numbers, placed each record in identical packaging, and after traveling to meet Lingten, finally had an assistant shuffle them. An article published by the Los Angeles Times in 1987 does a fine job of recounting the events of that test:
Lintgen, a very nearsighted man with thick glasses, took the first recording off the pile, removed his glasses and placed his eye at the edge of the recording and slowly rotated it. He looked slightly puzzled.
“I think that this is Beethoven’s Sixth Symphony,” he said. “However, there is an extra movement in here that I can’t understand. Is it a strange recording?”
Randi replied that he could offer no clues. Lintgen examined it further and declared, “Yes! It is the Sixth Symphony, but it also contains an additional overture that I will guess is the ‘Prometheus Overture.’ ”
Lintgen was right.
He then pulled out another recording from the batch and identified it as Stravinsky’s “Le Sacre du Printemps.”
At that time, Randi did not know if the recording that Lintgen was holding was indeed Stravinsky’s “Le Sacre du Printemps,” but he knew that there were at least two different copies of that piece in the controlled test. At this point, Randi knew the man had the talent.
Lintgen pulled out the next recording and said with a wink, “Ah. You are trying to fool me! This is a different recording of the same piece.”
Randi was astonished. Not only did Lingten correctly identify the duplicate recording, but he told the group of investigators that while it was the same piece, it was performed by an entirely different orchestra. A German orchestra, to be exact. Lingten then went on to point out two other controls, a vocal recording of So You Want to a Magician and a recording that he called “just gibberish” that turned out to be Alice Cooper.
Randi later recounted his shock in the Skeptical Enquirer saying, “certainly, Arthur Lintgen comes as close to (a real magician) as I ever hope so see!